Curriculum Vitae Previous Home Next
SELECTED SOLO EXHIBITIONS:
2010 Pollock-Krasner House, East Hampton, NY Film Screening “Blue Bananas and Other Meats”
2003 Mitchell Algus Gallery, NYC: “Paintings, Drawings, Photoworks from the Late 1960s and 1970s”
2002 Clayton Liberatore Gallery, Bridgehampton, NY: “Sometimes in Nature” - Paintings
2001 Clayton Liberatore Gallery, Bridgehampton, NY: “The Swimmers” - Paintings
2000 Westbeth Gallery, NYC: “Three Decades: 1970-2000”: Erotic Art; The Early Work of the Male Nude Body-Landscapes; Portraits; Primal Creatures; The Swimmers - Paintings, Drawings & Photoworks
1998 Prism Gallery, Port Jefferson, NY: “Abstract Paintings”
1994 Elaine Benson Gallery, Bridgehampton, NY: “Creatures” – Paintings, Drawings of the 1980s
1991-92 Guild Hall Museum, East Hampton, NY: “Contemporary Crafts”, curated by Christina Strassfield (one
of 17 artists) - Mixed Media Assemblages
1983 Westbeth Gallery, NYC: “Primal Creatures” – Paintings, Drawings
1980 Soho 20 Gallery, NYC: “Dreamscapes” – Recent Paintings and Drawings
1979 Fairleigh Dickinson University, Ed. Wms. Gallery, Hackensack, NJ: “The Past Ten Years” – Paintings, Drawings
1979 Soho 20 Gallery, NYC: “Portraits” – Recent Paintings and Drawings
1977 Arizona State University, Tempe, AZ: “Body-Landscapes” – Paintings
1976 University of South Dakota, Vermillion, SD: “Body-Landscapes” - Paintings
1976 Soho 20 Gallery, NYC: “Body Landscapes” – Paintings
1974 Soho 20 Gallery, NYC: Paintings –“ Diagrams and Tapestries”; Photoworks – Body Art; Film – “Blue Bananas and Other Meats” and “Penelope’s Odyssey”
1973 Soho 20 Gallery, NYC: Metamorphosis Series/ Rape Series – Oil Paintings, Works on Paper
1973 Westbeth Gallery, NYC: Metamorphosis Series/ Rape Series – Paintings, Large Pastels,
Charcoal Drawings
1971 Westbeth Gallery, NYC: “Overview 1968-1973” – Paintings, Drawings, Installations/Performance, Film
1969 Hudson River Museum, Yonkers, NY: - Recent Paintings and Works on Paper
1967 Mari Galleries, Larchmont, NY: - Recent Paintings and Drawings
1967 Gallery 84, NYC: - Paintings, Drawings, Collages
SELECTED GROUP EXHIBITIONS:
2011 Ashwagh Hall, Springs, East Hampton, NY: “Springs Invitational”, curated by Esperanza
Leon, “Sometimes in Nature #008” Digital Print
2011 Guild Hall Museum, East Hampton, NY: ”Members Exhibition”
2011 Guild Hall Museum, East Hampton, NY: ”Members Exhibition”
2010 Guild Hall Museum, East Hampton, NY: ”Members Exhibition”
2010 Ashwagh Hall, Springs, East Hampton, NY: “Springs Invitational”, curated by Kimberly Goeff, “Stasis #2” Digital Print
2009-10 Guild Hall Museum, East Hampton, NY: ”Acquisitions”
From the Permanent Collection -”Landscape #160”
2006 Steven Kasher Gallery, NYC: “Sequence and Consequence” - Photoworks, 1973-1976
2006 Ashwagh Hall, Springs, East Hampton, NY: “Springs Invitational”, curated by Elena Prohaska, “Body
Works Series III #2” - Digital Print
2005 Ashwagh Hall, Springs, East Hampton, NY: “Springs Invitational”, curated by Rae Ferren, “Study for Magnascope #1” - Painting
2004 Mitchell Algus Gallery, NYC: “The F Word” - “Study for a Flag” – Painting
2002-03 Museum of Fine Arts, Santa Fe, NM: “IDEA Photographic, After Modernism”, curated by Steve Yates, “Body-Works Series III #1” – Photowork - catalogue color repro
2002 Guild Hall Museum, East Hampton, NY: “PERSONAL and POLITICAL: The Women’s Art
Movement 1969-1975”, curated by Simon Taylor and Natalie Ng, “Landscape #160” – Painting 1972, catalogue color repro; “Blue Bananas and Other Meats”, 16mm film, 1973
2002 New York Armory Show, Hudson Piers, Mitchell Algus Gallery, NYC: - Photoworks, 1973-76
2001 New York Armory Show, Hudson Piers, Mitchell Algus Gallery, NYC: - Photoworks, 1973-76
1998 Ashwagh Hall, Springs, East Hampton, NY: “Springs Invitational”, curated by Christina Strassfield,
“Swimmer #4” - Painting
1997 Westbeth Gallery, NYC: “Dreamscape #9” - Painting
1997 Westbeth Gallery, NYC: “Dreamscape #2” - Painting
1996 Soho 20 Gallery, NYC: “Dreamscape #2” - Painting
1996 Guild Hall Museum, East Hampton, NY: “Requiem for Carl” - Painting/Collage with text
1995-97 Traveling Exhibition: “Sniper’s Nest”, curated by Lucy Lippard from her collection, “Body-Works
Series III #1” – Photowork, 1976, Exhibition Venues:
Bard College, Center for Curatorial Studies, Annandale on Hudson, NY
University of Colorado, Gallery of Contemporary Art, Colorado Springs, CO
Wake Forest University, Scales Fine Arts Center, Winston-Salem, NC
University of Kansas, Spencer Museum of Fine Arts, Lawrence, KS
University of Texas, College of Fine Arts, Austin, TX
Museum of Fine Arts, Santa Fe, NM
1995 Millennium Gallery, East Hampton, NY: - Painting
1994 Guild Hall Museum, East Hampton, NY: “Landscape Today: East End Views”, curated by Christina Strassfield, “Dune Grasses at Louse Point” – Painting, 1986
1994 Millennium Gallery, East Hampton, NY: “Le Chien D’Or” - Painting/Collage
1993 Benton Gallery, Southampton, NY: “Body-Works Series III #2” – Photowork. 1976
1991 Vered Gallery, East Hampton, NY, “Love, Sex & Romance”, “Cronus” – Painting, 1968
1991 Renee Fotouhi Gallery, East Hampton, NY: “Body-Body”, “Penelope’s Odyssey Part I #2”; “Body-Works Series I #7” – Photoworks 1976
1991 Vered Gallery, East Hampton, NY: “Untitled” – Photowork with Text, 1973
1988-89 Museum of Modern Art, NYC: “Committed to Print” Traveling Exhibition, “An Anti-catalog”
Co-Author/Contributor, Produced by Artists Meeting For Cultural Change, NYC 1977
1987 Benton Gallery, Southampton, NY: “End of the World” – Painting/Collage, 1983
1986 Pace University, Pace University Art Gallery, NYC: “Why GRrandma #1” - Painting/Collage 1982
1986 Hudson Center Galleries, NYC: “The Male Nude”: “Purple Sky”, 1969 – Catalogue repro
1985 Avery Fisher Hall, Cork Gallery, Lincoln Center, NYC: “Why GRrandma #1” - Painting/Collage,
1982; “Study for ‘Pas de Trois du Chats’” – Charcoal Drawing, 1983
1983 Long Beach Museum, Long Beach, CA
1983 Artists Space, NYC
1983 A.I.R. Gallery, NYC
1983 El Bohio Gallery, NYC: “Why GRrandma #2” – Photoprint
1982 A.I.R. Gallery, NYC
1982 Frank Marino Gallery, NYC
1981 Grey Art Gallery, New York University, NYC
1980 Amazon Gallery, Amsterdam, The Netherlands: “Wrappings #1” – Photowork, 1976
1980 Bijbel Museum, Amsterdam, The Netherlands: “Feminist Art International”, “Study for Crucifixion #1” Drawing, 1969
1979 Haags Gemeentemuseum, The Hague, The Netherlands: “Feminist Art International,” Film Exhibition, “Blue Banana and Other Meats” - 16-mm film, 1973
1978 Bronx Museum of the Arts, Bronx, NYC: - Drawings for 17 panel mural, “Concrete Poetry”, Joyce
Kilmer Park, Bronx, NY
1977 Whitney Museum Downtown, NYC: “Nothing But Nudes”; “Landscape #160” – Painting, 1972
1977 Hurlbutt Public Library, Greenwich, CT: “Contact – Women In Nature”, curated by Lucy Lippard;
“Penelope’s Odyssey Part I #1” - Photowork, 1976; “Untitled” – Photowork with Text, 1973
1977 Anthology Archives, NYC: “Women Artist Filmmakers”; “Blue Bananas and Other Meats” –
16 mm. film, 1973
1975 Brooklyn Museum, NYC: “Works on Paper, Women Artists”; “Yellow Landscape” –Mixed Media, 1968
1975 Bronx Museum of the Arts, Bronx, NYC: “The Year of the Woman”; “Metamorphosis #12” –
Painting, 1973
1974 Indianapolis Museum, Indianapolis, IN and Taft Museum, Cincinnati OH: “Painting & Sculpture
Today 1974”; “Metamorphosis #10 – Work on Paper, 1973
1974 Artist’s Space, NYC: “Artists As Filmmakers Series – ’74”; “Blue Bananas and Other Meats” 16 mm film, 1973
1973 Allan Stone Gallery, NYC: “Erotica”; “Purple Sky” – Painting, 1969; “Cracker Jack Prize” Painting 1972
1973 ACA Gallery, NYC
1973 National Academy of Design, NYC: “Annual Invitational”; “Crucifixion #2” – Painting 1970,
Catalogue Cover
1973-76 NY State Council on the Arts Traveling Exhibition: “Untitled” – Silkscreen Print, 1971
1973 Upstairs Gallery, East Hampton, NY: Curated by Elena Prohaska, “Male Landscapes” - Paintings
1972-73 Guild Hall Museum, Collectors’ Gallery, Curated by Rae Ferren, East Hampton, NY: series of
“Male Landscapes” – Paintings, 1972-1973
1972 Stamford Museum, CT: “Women In the Arts”
1972 Palacio de las Bellas Artes, Mexico City, “Untitled” – Silkscreen Print, 1971
1971 University of Maryland, Baltimore, MD
1970 Hundred Acres Gallery, NYC: “High Class Drawings”, curated by Ivan Karp
Mixed Media Works on Paper, 1967-1970
ANNUAL GROUP EXHIBITIONS
1995-99 Ashwagh Hall, Springs, East Hampton, NY
1987-2011 Guild Hall Museum, East Hampton, NY
1963-68 Hudson River Museum, Yonkers, NY: Juried by Ad Reinhardt, Marcel Duchamp,
Roy Lichtenstein
MURALS
1979 Bronx Community College, Health & Physical Education Dept.
Designer/Director of interior mural under auspices of the CETA program with cooperation of Bronx
Community College Art Dept., NYC Cultural Council, and Bronx Jewish Community Council
.1978 Bronx Museum of the Arts, Joyce Kilmer Park, Designer/Director of 17 panel community mural,
“Concrete Poetry”, under auspices of the CETA program, with cooperation of Luis Cancel,
Director, Bronx Museum of the Arts; New York City Dept of Parks and Recreation; Bronx Jewish
Community Council; funded by the NY State Council on the Arts and NYC Cultural Council
SELECTED BIBLIOGRAPHY
2011 Parrish Art Museum, South Hampton, NY “East End Stories” Website
2010 Naked: The Nude In America, Bram Dijkstra, Rizzoli New York, Reproduction of painting “Crucifixion #1” pages 416-417, text pages 420 and 428
2010 East Hampton Star, 9/9, Arts & Living, Section C: Feature Article, Elise D’Haene “Eunice Golden’s: Sex, Food and Paint” reproduction: Portrait of the Artist with “Landscape #160” 2005, page 1
2010 Dan’s Papers ,4/30/10 Marion Wolberg Weiss, Review:
Guild Hall Museum Member Exhibition, Digital Print “Stasis #2”
2010 East Hampton Press, 1/13, Eric Ernst, Perspectives: Many Colors of a
Collection: Guild Hall Museum East Hampton, NY: “Acquisitions”
Painting - “Landscape #160” 1972
2009 Dan’s Papers, 11/20/09 Marion Wolberg Weiss, Review: “Acquisitions” Guild Hall Museum, East Hampton, NY.
Painting “Landscape #160” 1972
2007 Nashim: A Journal of Jewish Women’s Studies & Gender Issues: Women in The Visual Arts Issue, Fall, Number 14, Gail Levin, “Censorship, Politics and Sexual Imagery in the Work of Jewish
American Feminist Artists” reproductions: page 75 “ Rape #1” 1973 ; page 76 “Landscape #160” 1972
2007 East Hampton Star, 8/16, Arts & Living, Section C: Feature Article, Elise D’Haene “Eunice Golden:An
Intimate Revolution” reproductions: Portrait of the Artist with “Metamorphosis #14” 2005, page 1
“Swimmers #5, 1999 page C-6; “Vertical Landscape” 1970, page C-6
2007 Art-In-America, June, Lucy Lippard, “No Regrets”, color reproduction, “Crucifixion #1” 1969 page 76
2007 Catalog of the Exhibition “Wack! Art and the Feminist Revolution, 1965-1980” at the Museum of
Contemporary Art, Los Angeles, CA; Richard Meyer essay, “Hard Targets: Feminist Art, Male Nudes
and the Force of Censorship in the 1970s”; essay includes repros of “Landscape #160”, 1972; “Reorientation of the Human Figure at Scheduled Intervals” 1973 and still from the 16-mm. film “Blue Bananas and Other Meats”, episode #2, 1973
2007 Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art - website, “Feminist Art Base”,
includes video of “2002 Retrospective: 3 Decades 1970-2000” and still photos of paintings, drawings and photoworks
2007 Museum of Modern Art, NYC: Symposium 1/26/07; “Feminist Future”, “Activism, Race, Geopolitics” panelist Richard Meyer included “Metamorphosis #12” – Painting 1973
2003 New York Times, 4/18, Art Guide: Last Chance, Holland Cotter, Review: Solo Retrospective at Mitchell Algus Gallery, NYC: “Paintings and Photoworks from the Late 1960s and 1970s”
2003 New York Times, 4/11, Art In Review, Holland Cotter, Solo Retrospective at Mitchell Algus Gallery, NYC: “Paintings and Photoworks from the Late 1960s and 1970s”
2002 New York Times, 10/11, Weekend Art Review, Holland Cotter, “Two Nods to Feminism, Long
Snubbed by Curators”, Review: “Personal & Political: The Women’s Art Movement 1969-1975”,
Guild Hall, East Hampton, NY, “Landscape #160” - Painting 1972
2002 Dan’s Paspers, Art Commentary, Marion Wolberg Weiss,, 8/23 “Personal and Political”, Guild Hall
Museum of East Hampton, Review and Repro of “Landscape #160” 1973 and Film “Blue Bananas and
Other Meats” 1973, page 91
2002 Newsday, 8/16, Ariela Burdick, 8/16, “Taking It Personally”, Review: “Personal & Political: The
Women’s Art Movement 1969-1975”, Guild Hall, East Hampton, NY, “Landscape #160” – Painting 1972
1997 Women’s Camera Work: Self/Body/Other In American Visual Culture, Judith Fryer Davidov, Duke
University Press, University of Mass., Amherst, color reproduction, still from 16-mm. film “Blue Bananas
and Other Meats”, episode 3, 1973
1996 Dan’s Papers, 4/5/96, Art Commentary, Marion Wolberg-Weiss, pg.32, Review: Group Exhibition, Guild Hall Museum, East Hampton, NY, “Requiem for Carl”- Painting, 1996
1996 East Hampton Star, “From the Studio”, Rose Slivka, Review: Group Exhibition, Guild Hall Museum,East Hampton, NY, “Requiem for Carl” – Painting, 1996
1995 Dan’s Papers, Art Commentary, Marion Wolberg-Weiss, Review: Group Exhibition, Millennium
Gallery, East Hampton, NY
1995 The Pink Swan, Lucy Lippard, “Crucifixion #1” – Painting, 1969
1994 New York Times, Art: “This Week on Long Island”, Sunday 7/24/94, Elaine Benson Gallery,
Bridgehampton, NY, Exhibition: “Creatures”, 7/30-8/16/94, repro “Why GRrandma #1”, 1982
1994 East Hampton Star, From the Studio, Rose Slivka, 5/26/94, Review: “Landscape Today: East End
Views”, Guild Hall Museum, East Hampton, NY, 5/7/94-6/19/94, “Dune Grasses at Louse Point” -
painting, 1986
1994 New York Times, Sunday 3/27/94, ART, Phyllis Braff, Review: Group Exhibition, Guild Hall Museum, East Hampton, NY “Sea & Sand #1” - Painting, 1994
1994 Dan’s Papers, Art Commentary, Marion Wolberg-Weiss, 6/17/94; Review: “Landscape Today: East
End Views”, Guild Hall Museum, East Hampton, NY 5/7/94-6/19/94, “Dune Grasses at Louse Point” -
painting, 1986
1994 The Power Of Feminist Art, The American Movement of the 70’s, History and Impact, eds. Norma
Broude & Mary D. Garrard, (Harry Abrams, pub.); one of 20 artists featured in “Soho 20 Gallery”
painting by Sylvia Sleigh, illus. p.111
1991 East Hampton Star, From the Studio, Rose Slivka, 12/5/91 Review: “Contemporary Crafts”, Guild Hall
Museum, East Hampton, NY, 11/16/91-1/12/92
1991 East Hampton Star, At the Galleries, Sheridan Sansegundo, 11/14, “Contemporary Crafts Exhibition”,
Guild Hall, East Hampton, NY, 11/16/91-1/12/92, repro “Tie-Ding” - Assemblage, 1991
1991 East Hampton Star, From the Studio, Rose Slivka, 8/1, Review: Vered Gallery, East Hampton, NY:
“Love, Sex & Romance”, 7/20-8/8/91, “Cronus” - Painting, 1968
1991 East Hampton Star, Arts & Letters, 8/1, Vered Gallery, East Hampton, NY, Photo of panelists for
“Sexuality & Art”, 7/28/91: Larry Rivers, Eunice Golden, George Meredith (moderator), Hannah Wilke Audrey Flack
1991 Southampton Press, At the Galleries, Robert Long, 8/1 “Perspectives”, Review of Panel Discussion,
“Sexuality & Art”, Vered Gallery, East Hampton, NY, 7/28/91
1991 New York Times, Sunday 9/29/91, Long Island Weekly - Photography, Phyllis Braff, “The Nude, a
Denial of the Body’s Flesh”, Review of Exhibition: “Body, Body” 9/21-10/28/91, Renee Fotouhi
Gallery, East Hampton, NY, “Penelope’s Odyssey Part I #2” and “Bodyworks Series I #7” –
Photoworks, 1976
1987 East Hampton Star, At the Galleries, Sheridan Sansegundo, 5/21/87, Benton Gallery, Southampton,
NY, 5/23-6/11/87, “The End of the World” - Painting, 1983
1986 Challenge of Drawing, Alexander Russo, Prentice Hall, Englewood Cliffs, NJ, Reproductions:
“Dreamscape #5” - Painting, 1980 and “Study for ‘Pas de Trois du Chats’” - Drawing, 1983
1985 The Erotic Arts, Peter Webb; Farrar, Straus, Girous, New York, NY, 1985
1983 Art In America, Annual Guide to Museums & Galleries, “Views by Women Artists”, Westbeth Gallery,
NYC: Curator of Exhibition: “Sexuality in Art: Two Decades from a Feminist Perspective”, repro
“Crucifixion #1” - Painting, 1969
1983 Village Voice, 6/14, “Too Close to Home”, Lucy Lippard, Review: El Bohio Gallery, NYC, “Why
GRrandma #2” – Photoprint, 1983
1983 Hue Points, Women’s Caucus for Art, Philadelphia, PA, Spring/Summer, Lisa Klein Gildar, “The
Image of the Male Nude”, repro “Landscape #160” - Painting, 1972
1983 Overlay: Contemporary Art & The Art of Prehistory, Lucy Lippard, Pantheon-Random House, NY, pp.
52, 210, “Crucifixion #1” – Painting 1969; “Vegetable Salad/Male as Cornucopia”, color reproduction
of still from “Blue Bananas & Other Meats” – 16-mm. film, 1973
1981 Art In America, 11/81, Lucy Lippard, “Gardens: Metaphor For A Public Art”, “Vegetable Salad”, 1973,
color reproduction of still from 16 mm. film “Blue Bananas & Other Meats”
1981 Art World, 1/16-1/18/81, Barnaby Ruhe, Review: Solo Exhibition “Dreamscapes”, 12/80-1/21/81, Soho
20 Gallery, NYC
1980 Woman’s Art Journal, Spring/Summer, April Kingsley/Joan Semmel, “Myths”
1980 Village Voice - Centerfold, 12/24-30, Carrie Rickey, Review: Solo Exhibition, “Dreamscapes”,
12/1/80-1/21/81, Soho 20 Gallery, NYC
1980 Art Workers News April page 14 Repro of “Portrait of Lucy Lippard” 1979
1979 Saturday Review, 5/26, “The Arts” Vicki Goldberg, Review: “Blue Bananas & Other Meats” - 16-mm.
film, 1973
1978 The Nude Male:A New Perspective, Margaret Walters, Paddington Press, London, Repro “Purple Sky”
Painting, 1969
1977 Art International, March/April, Carter Ratcliff, “Remarks on the Nude”, Review: “Nothing But
Nudes”, Whitney Museum downtown, NYC, “Landscape #160” - Painting, 1972
1977 Feminist Art Journal, Spring, Sylvia Moore, Review: Solo Exhibition, “Body-Landscapes, 1975”, Soho
20 Gallery, NYC, 1976, repro “Body-Works Series II #4 – Photowork, 1976
1977 Phoenix Gazette, 1/16, Marlan Miller, Review: Solo Exhibition, “Body-Landscapes, 1975”, Arizona
State University, Tempe, AZ, 1/10-1/27/77
1976-77 NY Art Review Yearbook, Noyes Press, NYC
1976 From the Center: Feminist Essays on Women’s Art, Lucy Lippard, p.74, “Crucifixion #1” - Painting,
1969; p.75 repro “Landscape #160” - Painting, 1972
1976 Shantih, Vol. 3, #3, Fall/Winter, International Women’s Issue, Cindy Nemser, “Women’s Art 1975”,
Review: Solo Exhibition, “Body-Landscapes, 1975”, Soho 20 Gallery, NYC, 1976
1976 WomanArt, Summer, Ellen Lubell, “Soho 20”, repro “Reorientation of the Landscape #2” - Painting,
1975
1976 Arts Magazine, 4/76, Ellen Lubell, Review: Solo exhibition, “Body-Landscapes, 1975”, Soho 20
Gallery, NYC, 1976, repro “Tryptych for the Bicentennial”, - Panel 3, Painting, 1975
1976 Arts Canada, Spring
1976 Volante, 4/6, Ann Larson, Review: Solo Exhibition, “Body-Landscapes, 1975” University of South
Dakota, Vermillion, SD, 3/28-4//76, repro “Tryptych for the Bicentennial” – 3 Panel Painting, 1975
1976 Soho Weekly News Calendar, 1/27, ed. By William Harris, Solo Exhibition, “Body-Landscapes, 1975”,
Soho 20 Gallery, NYC, 1976
1975 NY Post, 4/18, Feature Article Jane Perlez, “Artist Hit Below the Belt”, photo of artist
1975 Artforum, March, p.73, Allan Moore, Review: Solo Exhibition of Paintings, Photoworks, Film; Soho
20 Gallery, NYC, 1974-5, Color repro “Reorientation of the Human Figure at Scheduled Intervals” -
photowork, 1973
1975 MS Magazine, January 1975, MS On the Arts, Jamaica Kincaid, “Erotica”, color repro “Purple Sky” -
Painting, 1969
1975 Soho Weekly News, 1/2/75, Leonard Horowitz, Review: Film Exhibition “Blue Bananas & Other Meats”
16-mm. film, 1973, Soho 20 Gallery, NYC
1975 Kunstforum, 12/74-1/75 Lil Picard
1974 Soho Weekly News, 12/26, Leonard Horowitz, “Film As Performance As Art: Collaborations &
Combines”, Review of Film Event/Lecture, Soho 20 Gallery, NYC, 12/24/74
1974 Artforum, April, p.80, Sue Heinemann, Review: Solo Exhibition, 12/29/73-1/23/74, Soho 20 Gallery,
NYC, 1973, Color repro, “Metamorphosis #10” – Pastel Painting, 1973
1974 Arts Magazine, March, Judith Von Baron, Review: Solo Exhibition, Westbeth Gallery, NYC, 1973
1974 Ararat, Spring Quarterly, Vol. XV #2, repro, “Portrait of Poet, Leon Serrabian Herald” - Painting, 1971
1974 Afterdark, February, James Nash, The Art Scene, Review of Solo Exhibition, 12/29/73-1/23/74, Soho
20 Gallery, NYC
1974 New York Magazine, 2/11, Dorothy Seiberling, “The Female View of Erotica”, p.55, “Rape” Series” –
Drawings and Paintings, 1973
1974 Arts Magazine, 2/74, Jane Bell Davis, Review: Solo Exhibition, Westbeth Gallery, NYC, 1973
1974 Soho Weekly News, 1/16, Peter Frank, Review: Solo Exhibition, Westbeth Gallery, NYC, 1973
1973 Soho Weekly News, 12/13, Peter Frank, Review: Solo Exhibition, Soho 20 Gallery, NYC, 1973
1973 New York News Service, Vol.1, #5, 10/29, “Sexualism: Women Lead New Art Movement”
1973 National Academy of Design, NYC, Annual Invitational: Catalog Cover, repro “Crucifixion #2” -
Painting, 1970
1973 New York Post, 10/18, p.32, Jane Perlez, Review: New School for Social Research Seminar,
“Pornography Uncovered, Eroticism Exposed”, “Purple Sky” – Painting, 1969
1972 El Sol de Mexico, 2/11, Review of Invitational Exhibition, Palacio de las Bellas Artes, Mexico City,
“Untitled” – Silkscreen Print, 1971
1971 New York Times, 6/5, Hilton Kramer, Review: Solo Exhibition, Westbeth Gallery, NYC, 1971
1971 Arts Magazine, May, Gordon Brown, Review: Solo Exhibition, Westbeth Gallery, NYC, 1971
1969 Patent Trader, Scarsdale, NY, 2/27 Noel Frackman, “Outposts of Art”, Review of Solo Exhibition
Hudson River Museum, Yonkers, NY, 2/9-3/9/69
1968 The Yonkers Record, 5/9, Martin Ries, “Focus on the Arts”, Review of Solo Exhibition Mari Galleries,
Larchmont, NY, 5/1-5/25/68, repro “Female Nude” – Work on Paper, 1967
1967 Scarsdale Enquirer, 3/23, Noel Frackman, Review: Solo Exhibition, Gallery 84, NYC, repro
“Landscape #6” – Collage, 1966
1967 Art News, April, Natalie Edgar, Review: Solo Exhibition, Gallery 84, NYC: Recent Work/ Collages
ARTICLES BY ARTIST:
1982 Woman’s Art Journal, Spring/Summer, “Views by Women Artists; Sexuality in Art: Two Decades
From A Feminist Perspective”
1981 Heresies, Spring, Issue 12, Vol. 3, No. 4, “The Male Nude in Women’s Art – Dialectics of a Feminist
Iconography”, Repro “Rape #2” - Drawing, 1973
1976 Artworkers News, Foundation for the Community of Artists, NYC, April p.26 “On the Business of Art”
1975 Artworkers News, Foundation for the Community of Artists, NYC, May/June, p.3, “On the Censorship
of Phallic Imagery,” repro “Study for a Flag”, Painting, 1974
LECTURES, PANELS, SEMINARS, INTERVIEWS:
2010 Pollock-Krasner House, Springs, East Hampton, NY
2010 Guild Hall Museum, East Hampton, NY
1997 LTV Cable, Channel 27, East Hampton, NY – Studio Interview
1982 NYU, Gallatin Division, NYC – Lecture and Film Presentation
1981 WBAI Radio, NYC “Views By Women Artists”, Panel discussion
1980 Queens College, NYC – Lecture & Film Presentation
1978 Columbia University, Teachers College, NYC – Lecture & Films
1977 Arizona State University, Tempe, AZ – Lecture & Film Presentation
1977 Douglass College, Rutgers Univ., New Brunswick, NJ – Panel discussion
1977 Rhode Island College, Providence, RI – Lecture & Films
1976 Upsala College, East Orange, NJ – Lecture & Film Presentation
1976 Iowa Western Community College, Council Bluffs, IA – Lecture & Films
1976 NBC TV Channel 2 News, Midwest States – Interview
1976 KUSD TV, Midwest States, “Mosaic” – Interview & Presentation of Paintings from Exhibition, “Body-
Landscapes” - Paintings, 1975
1975 WPLJ FM Radio, NYC – Panel discussion, “The Co-op Gallery”, Lucy Lippard, moderator,
Nancy Spero, Eunice Golden and others
1975 School of Visual Arts, NYC – Panel discussion, “Pornography vs. Eroticism”, Louise Bourgeois,
Eunice Golden, Hannah Wilke, Joan Semmel, Anita Steckel, Nancy Spero (moderator)
1975 Hera Art Foundation and Gallery, Wakefield, RI - Lecture & Films
1975 Westchester Film Workshop, Tarrytown, NY – Film Presentation
1974 Inner London Educational Authority, Universities, England – Taped Interview
1973 New School for Social Research, NYC – Seminar: “Pornography Uncovered, Eroticism Exposed”,
Louise Bourgeois, Eunice Golden, Juanita McNeely, Joan Semmel, Anita Steckel, discussion and
presentation of work, “Purple Sky” Painting 1969
1973 New York University, NYC – Seminar
1973 Windham College, Putney, VT – Symposium: “The Roles of Professional Women”
1973 WOR TV, Channel 9 News, NYC – Interview, New School Seminar “Pornography Uncovered,
Eroticism Exposed”
1973 Sterling-Manhattan Cable TV, Channel C, NYC – Panel of ”Fight Censorship” group & repros of
“Rape” drawings 1973
GRANTS, HONORS, AWARDS:
2010 Best Abstract in Members Show Awarded by Benjamin Genocchio, formerly Art Critic of the
New York Times, Guild Hall Museum, East Hampton, NY
2003 Veteran Feminists of America – Medal of Honor
1976-present Who’s Who in American Art, R.R. Bowker, NY & London
1976-present World Who’s Who of Women, Cambridge, England
1976 University of South Dakota, Vermillion, SD – Artist In Residence
1975 New York Foundation for the Arts: Film Speaker Grant
1974-present Archives of American Art, Smithsonian Institution, Washington, D.C.
1973 Vassar College, Poughkeepsie, NY: Syllabus by Art Historian Linda Nochlin on “The Male Nude”,
included work of Eunice Golden, Alice Neel and Sylvia Sleigh
1969, 1971 MacDowell Colony Fellowships - Resident Painter
1968 Citation: “One of NY State’s Outstanding Women” by Women’s Unit, Executive Chamber, Albany
1963 Purchase Award Selected by Ad Reinhardt for Collection, Hudson River Museum, Yonkers, NY:
“Pink Nude” – Painting, 1963
PUBLIC COLLECTIONS:
2009 Guild Hall Museum, East Hampton, NY: “Landscape # 160” - Painting, 1972
1997 Museum of Fine Arts, Santa Fe, NM: “Body-Works Series III, #1” – Photowork, 1976
1979 Bronx Community College, NYC, Interior Mural, Health and Physical Education Dept.
1978 Bronx Museum of the Arts, NYC: Mural Drawings for 17 panel mural, “Concrete Poetry”, Joyce
Kilmer Park, Bronx, NY
1978 Dept. of Parks & Recreation, NYC: 17 panel Mural, “Concrete Poetry”, Joyce Kilmer Park, Bronx,
1978 Dept. of Cultural Affairs, NYC: Videotapes: Documentation of Joyce Kilmer Park mural,
“Concrete Poetry”
1963 Hudson River Museum, Yonkers, NY: “Pink Nude” - Painting, 1963
PRIVATE COLLECTIONS:
Lucy Lippard
Max Hutchinson
Will Barnet
Knox Martin
Martin Ries
Richard Mayhew
Frances Alenikoff
Leon Serrabian Herald
Celeste Gainey
Elise D’Haene
Carol Beaver
Judith Garson & Steve Rappaport
Drs. Julie and Hal Mitnick
MUSEUM COLLECTIONS / ARTIST PUBLICATION:
Co-author/Contributor, “An Anti-catalog”, Artists Meeting for Cultural Change, NYC, 1977
Museum of Modern Art
Whitney Museum of American Art
Guggenheim Museum, NYC:
Tate Gallery, London, England
MEMBERSHIPS / ACTIVITIES:
1990-present Jimmy Ernst Artists Alliance/ East Hampton Artists Alliance, East Hampton, NY
1977 Artists Meeting For Cultural Change, NYC, Catalog Committee, Co-author/Contributor, “An Anti-
catalog”
1973-1988 Foundation for the Community of Artists, NYC
1973-1981 Women’s Caucus for Art, NYC Chapter
1973-1981 Soho 20 Gallery, Women’s Co-op Art Gallery, NYC: Founding Member, Board Member
1971-1989 College Art Association
1970-present Museum of Modern Art, NYC
Whitney Museum of American Art, NYC
Guggenheim Museum, NYC
Metropolitan Museum of Art, NYC
American Craft Museum, NYC
Guild Hall Museum, East Hampton, NY
Parrish Museum, Southampton, NY
1969-present MacDowell Colony Fellows
EDUCATION:
1984 Post-graduate: Education – 30 credits
1980 MFA, Brooklyn College, Brooklyn, NY
1978 BA, Fine Arts, SUNY, Empire State College, NYC
Undergraduate Studies, Liberal Arts, University of Wisconsin, Madison, WI
TEACHING EXPERIENCE:
1968-1995 Art Center on the Hudson, Dobbs Ferry, NY
Westbeth Studio School, NYC
Guggenheim Museum Program, NYC
University of South Dakota, SD
Bronx Museum of the Arts, Bronx, NY
Bronx Community College, Bronx, NY
Pratt Institute, School of Art & Design, Brooklyn, NY
Middlesex College / Middlesex Arts Council, Program for the Gifted, Edison, NJ
The Cooper Union, NYC
New York City Board of Education – Visual Art, K-6